contact — yulin

Please feel free to get in touch for any collaborations, commissions, events, or just a chat! I love making new connections.

I am active on both contacts below:

Email: prettybloodart@gmail.com

Instagram: @prettybloodart

09.22 feels like so long ago I volunteered at the grant museum for a while. as you probably know I have an unrelenting passion for natural history, and my hopeful dream is to work with a natural history institution/body one day, as an artist, or any

20.7.23 fragments of my installation ‘All of a Sudden I Held a Carcass in My Hands (and I Could Not Bury It)’, moments before being gathered into the CSM Museum & Study Collection after being bought for the graduate/deans’ award

14.7.22 a strange and bittersweet two-year-pandemic-delayed BA Painting degree/graduation show not at Wimbledon but at Chelsea college (right when I graduated from my CSM MAFA!) was so happy with the curators’ placement of my painting next to t

a little snapshot of today’s events..

thank you to all the performers for a magnificent afternoon ☀️🎤🍃

@friezeofficial @formaartsmedia
@abbzah @belmaczlondon #friezeartistaward #friezelondon #friezeweek

My first month of the residency came and went. It was a palpable period of time to settle into the gallery, spending more time with the spaces than what I experienced already with D&S. It’s certainly a time of change and transition, as I fe

Extremely honoured and excited to be @whitechapelgallery‘s first ever Young Writer in Residence!

I can’t wait to dig my claws and sink my teeth into my months here, no matter what thrilling shape this time takes. In my response to The L

choosing the title of our degree show, making the poster, and other texts etc… the show was open to the public 16-22 June 2022 in F304. thank you to everyone who came and shared the space/temporary dwelling.

Now, in this strange abyss we have been working towards after two years, after [Graduating from the Master’s Degree], after being let go for clinging on for so long, I cannot help but hear the overarching silence that was left after our bustlin

22/07/22 My talk at the @nationalgallery as part of their Friday Lates. (Leading on from the Raphael exhibition in The British Museum - so special to speak alongside the other brilliant artists from the group..) The script, the text piece I read from

after I wrote this I googled ‘five-winged butterfly’, which was something I made up in the moment, and the first thing that came up was ‘Greta oto’, which is a species of butterfly commonly known as the Glasswing butterfly for

My painting ‘Death Chases Life, But So Do We’ (2019) is on display at the @britishmuseum until October 13th - as part of the Raphael: emerging artists respond exhibition in Room 3! (right next to the main entrance) ⛅️

I’m very grat

I’m thinking of a train... it is floating towards the surface and coming into pseudo-focus.. it is not a formal representation of a steam locomotive, but the foreign idea of it.. of only seeing variations of it through documentations by strange

put up our final [diagrams] for Dean’s Social Body Mind Mapping workshops today! my diagram turned out to be an existential train floating in outer space. I used this metaphor to express how I felt about working with the whiteboard - it looks l

posting my study statement to keep a record on here... what I’ve been thinking, collecting, and making through since the start of my MA fine art course in October. basically obtaining the outmoded camera triggered an investigation of my own obs

whiteboard painting (1)
-whiteboard markers (red, black, and one nearly out of ink), dry brush, and toothpick

[it feels very wrong to place a brush upon the whiteboard surface... it was enjoyable] [it is a medium that is so eager to be erased.. so

鳥類 bird-type

(digital collage/drawing)

screenshot from low quality video taken in the park + photograph from the sunderland museum archives

Something to think about

digital drawing, with photographs of mammoth tusks I took recently